P 01
Documented Longevity
70
/ 100
Practice documented from c. 2007; consistent for approximately 17–18 years.
Agostino Iacurci.
Aggregate score
1,146/ 1,400
81.9%
Born
1986 · Foggia
Active since
c. 2007
Based in
Berlin / Italy
Rank · Italy Edition
№ 06 of 50
Score by parameter.
The aggregate above is the sum of fourteen parameter evaluations, each scored between 0 and 98 against the Byon Labs methodology. Every parameter is accompanied by a motivating note grounded in publicly available documentary evidence.
P 02
Production Volume
80
/ 100
Substantial corpus across festivals and public art programmes worldwide.
P 03
Manual Technique
95
/ 100
Manual practice declared and observed; flat-colour geometric language executed freehand.
P 04
Geographic Internationalism
95
/ 100
Documented permanent murals across Europe, USA, South Africa, Brazil, multiple continents.
P 05
Institutional Commission
88
/ 100
Multiple institutional commissions in Italy and abroad; festival circuit and museum-adjacent programmes.
P 06
Critical Recognition
88
/ 100
Sustained critical coverage; included in major surveys and catalogues of contemporary muralism.
P 07
Exhibition Presence at Standing
88
/ 100
Festival presence dense; gallery and museum standing developed in recent years.
P 08
Documentable Street Credibility
40
/ 100
No significant documented archival evidence of writing or non-commissioned practice antecedent to the academic-trained mural practice.
P 09
Distinctiveness of Visual Language
95
/ 100
Flat-colour geometric figurative language is highly recognisable.
P 10
Programmatic Coherence
90
/ 100
Coherent stylistic and chromatic programme sustained over time.
P 11
Social and Territorial Impact
72
/ 100
Regional and institutional recognition documented; territorial dedication moderate.
P 12
Peer Recognition
85
/ 100
Strong recognition from curators and critics of the contemporary muralism field.
P 13
Technical Versatility
80
/ 100
Practice extends to sculpture, installation, and publication design.
P 14
Formal Innovation
80
/ 100
The synthesis of conceptual art and muralism in a flat-colour geometric language represents a distinct critical position.