First Italian Edition · MMXXVI · Rank № 33 · Preliminary

Cibo.

Aggregate score
975/ 1,400
69.6%
Born
Pier Paolo Spinazzè · Italy
Active since
c. 2007
Based in
Verona
Rank · Italy Edition
№ 36 of 50

Score by parameter.

The aggregate above is the sum of fourteen parameter evaluations, each scored between 0 and 98 against the Byon Labs methodology. Every parameter is accompanied by a motivating note grounded in publicly available documentary evidence.

P 01

Documented Longevity

70 / 100

Practice documented from c. 2007.

P 02

Production Volume

70 / 100

Substantial corpus concentrated in northern Italy; covers thousands of fascist tags and graffiti.

P 03

Manual Technique

85 / 100

Strictly manual practice; figurative food compositions executed freehand directly over existing fascist graffiti.

P 04

Geographic Internationalism

50 / 100

Practice primarily Italian with selected international presence.

P 05

Institutional Commission

60 / 100

Selected institutional and civic commissions; municipal partnerships in northern Italy.

P 06

Critical Recognition

70 / 100

Sustained press coverage in Italian and international media; anti-fascist artist of significant journalistic profile.

P 07

Exhibition Presence at Standing

50 / 100

Gallery presence limited; museum standing emerging.

P 08

Documentable Street Credibility

65 / 100

Practice from the writing tradition documented; covers and overpaints in continuity with the writing genealogy.

P 09

Distinctiveness of Visual Language

85 / 100

The food-figurative idiom — fruits, vegetables, pasta — applied systematically over fascist graffiti is highly distinctive and immediately recognisable.

P 10

Programmatic Coherence

90 / 100

Programmatic coherence of the highest order: a single sustained programme of anti-fascist food-painting, with each work part of a unified critical project.

P 11

Social and Territorial Impact

80 / 100

Significant social-territorial impact: thousands of fascist tags documented as covered; recognised by anti-fascist organisations and municipal bodies.

P 12

Peer Recognition

65 / 100

Recognition within Italian scene; political and civic recognition strong.

P 13

Technical Versatility

60 / 100

Practice concentrated within the food-figurative anti-fascist programme; some extension to publication and lecture.

P 14

Formal Innovation

75 / 100

The systematic anti-fascist overpaint programme — at this scale and consistency — represents a distinctive formal-programmatic contribution to Italian post-graffiti.