Diavù.

Continuous practice documented from late 1990s; over twenty-five years of activity.

Substantial corpus across Rome and Italy, with selected international presence.

Manual practice declared and observed; figurative compositions executed freehand with reference where necessary.

Practice primarily Italian with selected European presence.

Multiple institutional commissions; founding figure of the MURO project (Museo di Urban Art di Roma); strong public-art commissioning record.

Substantial press coverage in Italy; critical writing developed through editorial work and journalism.

Gallery presence; curatorial work alongside mural practice.

Background in old-school graffiti and writing documented from the period.

Figurative idiom — often featuring iconic female figures from cinema — recognisable within the Italian scene.

Coherent programme of cinema-iconographic figuration, sustained across two decades.

Significant community-engagement and public-art impact via MURO; territorial recognition in Roman peripheries.

Strong recognition within Italian scene; curatorial standing developed.

Practice across mural, illustration, journalism, curating, and editorial — among the most versatile profiles in the corpus.

Formal contribution within established figurative tradition; programmatic contribution to community urban art via MURO is significant.